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Less prominent Toronto duo Crooklin and Pops trump it with the trap soul-jazz laid out for "Tity and Dolla," a nod to Playaz Circle in which Rashad freezes all competition by proclaiming "I hurt myself way more than you" and "I got no emotions." Steve Lacy, with Internet mate Syd sweet as ever in the background, cooks up a stoned groove for "Silkk da Shocka," a ballad that shifts from a romantic expression of gratitude to a grim depiction of dependency. Mike Will Made It and Pluss contribute the steely "A Lot," the foundation for Rashad at his most cold-blooded. The efforts of over 20 producers, most of whom weren't in on the debut, are in the predominantly mellow and gummy mix. Debauched and despondent rhymes are dealt out in casually candid fashion, whether they illustrate Rashad's escape routes, cul-de-sacs, or dead ends. What follows goes deeper than the striking 2014 debut.
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Not too proud to conceal struggles that escalated and developed in the wake of the acclaim, Rashad starts The Sun's Tirade, issued 31 months after Cilvia, with a voicemail - an exasperated ultimatum - from TDE's Dave Free. The rapper subsequently battled substance abuse, depression, isolation, and a resulting creative paralysis that found his relationship with the Top Dawg label hanging by a thread. Whether Cilvia Demo was viewed as an EP or an album, as a mixtape or an actual demonstration recording, there was a clear consensus that the release positioned Isaiah Rashad as a significant artist on the way up.